Shunkanteki Polyphony, the vocal theme of the 2.5D stageplay adaptation, is yet another catchy GOATBED techno piece that awesomely describes the story and tone of the stage adaptation of DMMD.As the last vocal track of the drama CD, and the game franchise as a whole, this is a splendidly catchy song that you can't help swaying your hips to, and serves as a proper farewell to the fans. ENDE=NEU is another great techno piece by GOATBED.Holding on is a very light ending theme, but it definitely makes one happy for Noiz, and how far he has come because of Aoba.But it remains extremely heartwarming, for the title and even the lyrics imply that this is from Mink's point of view, and that he sees Aoba as an angel. Angel is a powerful song, and may even be more so than Milky Way.But it remains touching, and the entire lyrics are very symbolic of Aoba and Clear's love, ill-fated it may be. Voyage Lucid is a beautiful theme that shares a sad undertone, like Crystalline.Scarlet is a sweet and cheerful song, which is definitely needed after knowing exactly what Koujaku had gone through in the past, and how his relationship with Aoba is slowly mending his grief and guilt.FORM SWEET FORM, Mizuki's bad ending theme."High Grade Monkey" is still present, though. While it sounds very similar to the opening theme of the first game, most of the lyrics are rewritten in Japanese, which makes the entire song less narmy than its original version. RADICAL MAT, the opening theme, is a catchy piece.
The new vocal tracks from RE:Code will stay in your ears.Even more so on this performance of the song, which was performed a year prior to DMMD's announcement. de SLASH, Ren's bad ending theme, moanings and gruntings aside, is a very glitchy piece of awesome Electronic Music.The contrasting tunes of both endings perfectly reflect the substantial change in Aoba and Mink's relationship from the first game to RE:Connect. Then there is the theme for his good ending, Milky Way, which is a very pleasant and emotional song. Sandy Weeds, Mink's bad ending theme, which consists of pure heavy metal, is yet another awesome piece.Keep in mind that the singer is the one who brought you the opening and ending themes of sweet pool. feel your noise, Noiz's bad ending theme, is an eerie electronic-guitar piece that does an excellent job in embodying the pure horror of the ending while sounding fantastic at the same time.Crystalline, Clear's good ending theme, is just as beautiful, holding a strange kind of sadness that just makes it more pleasing. Again, this is no surprise since the singer also did Koujaku's ending songs. Immer Sie, Clear's theme for his bad ending, is eerily beautiful, and if one pays attention to the lyrics, can also be tear-inducing.AI CATCH, the opening for the first game, is an excellent piece from GOATBED that perfectly sums up the cyberpunk theme of the game.GOATBED's signature style in music will get fans feeling nostalgic for the return of the characters and music. All while setting up the Cyberpunk setting of the game. If Kanako Itou's vocals won't get you bobbing, then the catchy Electronic Music surely will. The songs that played in the promotional videos for both games.We reserve the right to refuse service to anyone.
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